It's that time again! When I trawl through the 'keyword analysis' to answer the questions that somehow drove search engines into recommending this blog:
Why are so many Americans against the NHS?
Lies, damn lies and statistics. Depending on who you go to, you'll find that the majority of Americans want to keep the health care system exactly as it is, or adopt a single-payer system like they have in most industrialized countries. In February,
polls put that figure as high as 59%.
Recently, the National Health Service of Great Britain has received a
lot of flak, being held up by conservatives as an example of how 'terrible' a single-payer system would be if it was implemented here in the United States. Admittedly, there are some horror stories about the
NHS, many of which I've perpetuated right here on
Militant Ginger!
But conservatives neatly side-step the fact that the British health care system is ranked considerably higher than Americas - and the UK has a lower infant mortality rate and higher life expectancy. While American health care at it's best is undoubtedly superior to that of Britain - at it's most mediocre, it's arguably worse.
Sadly, there will always be a compromise between quality of care and breadth of coverage. In many ways, the
NHS and the American system are the two most polarized examples of each philosophy - and many Americans will rail against 'nationalized health care' simply because of that reason.
How does the American private health care system work?
Very, very confusingly.
In America, health care is 'private.' That means, unlike in the UK, the government don't own and operate hospitals, ambulances, doctor's offices or laboratories. They're all independent businesses out there to make a profit.
When you visit a doctor, or get a test done, you get billed for it personally. As these medical bills can add up incredibly quickly, most people buy 'health insurance' to pick up some or all of the costs. For example, health insurance will generally cover as much as 90% of the cost of an operation, with the private individual paying the 10% difference.
The problem is that health insurance itself is quite expensive, since the bills are so high. It can easily cost $300 or $400 a month to cover a small family. Therefore, employers often offset the salary they give their employees by offering health care coverage instead. They can get group discounts for using the same company to insure all of their employees - and that means the individual gets a keener rate.
Companies cover either the entire cost of health insurance, or a portion of it.
If you're self-employed you can buy your own health insurance, although you have to pick up the entire cost, instead of a company covering all or part of it. Also, because you don't get the 'group discount' you tend to pay a higher rate.
Finally, health insurance is like car insurance - it costs more or less depending on your coverage. For example, you can get cheap insurance that only covers emergencies, or more expensive coverage that covers the bulk of medical costs. Likewise, you can adjust the percentage of the medical bills you're expected to cover 'out-of-pocket' with higher or lower premiums.
The problem with this system is that health care costs are continuing to rise. In the last decade, health insurance premiums have
doubled. That means more and more of a percentage of people's salaries are going towards covering their families.
Even worse, more and more coverage is being dropped by the health insurance companies to keep their costs down. This means the consumer is paying more and getting less - and it's a generally accepted fact that there's not enough competition between health insurance companies to keep prices keen.
It's a system that has both major advantages and serious flaws. The problem with 90% of the people who argue about how to improve the current setup, however, is that they're not fully cognizant of both.
What is a derogatory term for a life-long politician?A '
Democrat'*.
America's longest standing Senator - and former Ku Klux Klan member - Robert Byrd
*Nod to Tom - Editorial Bear 
Let me get one thing straight- nobody got rich writing erotica.
The opportunities for making money writing sauce, smut, erotica and pornography are increasingly elusive, as more and more people attempt to get in on the act. There's a misunderstanding going on that writing erotica is somehow
easier than writing anything else. That's really
far from being true.
I have made my fair share of money writing smut - but it quickly lost it's novelty value. The pay is low, the competition is high and it's a fairly thankless task.
But the opportunities
are out there. A good place to start is with Hustler Fantasies, who publish about twelve or fourteen stories every month (and pay $25 for each one.) You can find out more
here.
Alternatively, you can aim for a higher-brow audience, by submitting something to the queen of Erotic fiction,
Alison Tyler, or a high-class magazine like
Jacques. Just be aware that they have
excruciatingly high standards and you'll either be expected to submit your first few works for free, or share royalties with dozens of other writers.
If I haven't talked you out of it, though, I still recommend writing commercial erotica simply to
become a better writer. Why? Because it's surprisingly good training for 'real' writing.
- Magazines like Hustler have a specific style - and getting a story accepted involves developing incredibly self-discipline to keep within the expected guidelines.
- Erotic teaches a writer brevity. Exposition isn't foreplay. Word limits can be brutal. Keeping your writing focused, curt and efficient is an excellent habit to get into.
- Most readers are looking for a specific genre - sometimes a specific sex-act - so writers need to learn to cater to their audience. This is the single most important lesson a writer can learn.
It's also excellent training for the simple habits of writing commercially - letters to editors, keeping track of submissions. If you take up writing erotic for money, I can promise you two things. Firstly, if you sell even one story, you will have become a better writer. Secondly, by the time you've sold that story, you'll probably have grown utterly, utterly jaded about how 'easy' and 'fun' writing erotica really is!
Why do women die their hair red?
Because unlike in the UK, where red hair is seen
almost as birth defect, most civilized countries consider red hair to be
attractive and distinctive, especially on a woman.
In France especially, many women dye their hair red (or some close approximation thereof) and 'the redhead' is a staple of
film noir and hard-boiled fiction over in America. A redheaded woman, like the one Bruce Springsteen wailed about, is seen as passionate, sexy, emotional and just a little bit
dangerous.
The only problem? You
really can't fake it. Because red hair is normally accompanied by pale skin and beautiful green or blue eyes, most women who attempt to mimic a natural Titian end up failing. It can look
pretty, but it never looks
natural.
And, as I've found out by going both black and blond, that is true the other way around, too!
(This beautiful redhead is Kristen Carter, whose profile on Model Mayhem can be found here.)What’s the connection between Erica Henderson and Pete Abrams?
Pete Abrams is the incredible brain behind
Sluggy Freelance, my favorite
webcomic and my first port-of-call when I do the Internet rounds each morning.
Erica Henderson is the sublimely talented cartoonist, artist and all-round
everything from
I Fail At Life, who I just think is the
Bee's Knees.
For a short time, Erica stood in as 'Saturday girl' for Pete's
webcomic - allowing him to take a day off from
Sluggy to concentrate on his family.
The result was some wonderful artwork that took the wonderful creations of Pete's comic and put Erica's unique spin on them.
Sadly, she's not doing the Saturday art any more - but those filler strips certainly stand out as some of my favorite of all time.
Professors Blakely and Boles face a menagerie of menaces, all brought vividly to life here by the talented Ben Foglotto.
Another example of Ben's work, inked by Scott Goodell for CJ Henderson's The Sacrifice.
I felt it necessary to forgo my page folding fixation before a mob of librarians lynched me.
Brilliant artist and cartoonist 
This is astonishingly funny because the same thing happens to my wife all the time. One stretch too many and her generously proportioned 'puppies' send blouse-buttons pinging all the way across the room!
