Showing posts with label vanity fair. Show all posts
Showing posts with label vanity fair. Show all posts

Monday, June 15, 2009

How to Lose Friends and Alienate People

Simon Pegg is one of Britain's most likable comic talents, so he's definitely playing against type in tackling the role of Sidney Young - the unlikeable protagonist of 'How to Lose Friends and Alienate People.'

A movie adaptation of Toby Young's painfully earnest autobiography, the film follows scrappy hack Young as he 'hits the big time' and moves from London to the Big Apple - to become a writer for the prestigious glossy magazine 'Sharps.'

Within hours of arriving in New York, Young manages to piss off, antogize, alienate or offend just about everybody he meets - resulting in a film that's so squirmworthy you'll want to leave the room just to avoid witnessing the cringe-inducing results of Young's career suicide.

'How to Lose Friends' is produced in part by Film Four - and the 'Britishness' of the script shows through. There's something akin to an old episode of Fawlty Towers in all of Sidney Young's misadventures. The chaos is cumulative - with Sidney's 'solutions' to each problem just immersing him deeper and more inextricably into the chaos.

However, towards the second half of the movie, Hollywood takes over. Soon, a pitch-perfect comedy morphs into a cheesy romance - as Sidney Young has to decide whether to pursue his publishing aspirations, or abandon them all for the colleague he's been having a love-hate relationship with.

Ultimately, what starts out as a really original film becomes a mish-mash of cimematic cliches... The high-profile abandonment of his successful career, the race to rendezvous with his abandoned love interest and the climatic kiss beneath the backdrop of the Brooklyn Bridge.

It's not a bad movie, by any means - Jeff Bridges is excellent as evil editor Clayton Harding (a thinly-veiled portrait of Vanity Fair editor Graydon Carter.) However, the whole thing is just so cynically 'Hollywood' that it ultimately comes across exactly the same as the character of Sidney Young - 'sold out.'

Thursday, March 19, 2009

Oh the humanity!

I can't stand Disney.

As an unrepentant aficionado of the James Bond/Renaissance/Simon Templar/Cowboy/Dukes of Hazzard lifestyle, the idea of a 'Disneyfied' world - devoid of alcohol, swords, premarital sex and gratuitous bad language - fills me with dread. I've spent enough time at Disneyland Paris to know it's not the sort of place I'd want to live in.

No lipstick lesbian shenanigans for the Disney Princesses! Except for the occasion during which this photograph was taken.

Yet sometimes - rarely - Disney comes through with something golden. Pirates of the Caribbean was a good example. That had rum, cleavage, sword-fights and skullduggery enough to satisfy even the likes of me.

On the opposite end of the spectrum is Disney Princess Miley Cyrus - she plays the teenage pop-sensation Hannah Montana in the interminable TV show of the same name. Her goody-two-shoes onscreen persona is only bearable because it's in complete contrast to her 13-going-on-30 real life reputation (Miley's dating a 20-year-old, posing [Sort of - Editorial Bear] topless and posting naughty pics of herself on MySpace.)

Miley Cyrus: So adorably virtuous it's sickening...

The twee morality, virginal virtues and Disneyfication of Miley's onscreen world has me reaching for the barf-bag. And yet...

The other day, listening to SIRIUS radio's country channel, The Highway, I caught an awesome song that really appealed to me. Much to my horror - it was sung by Miley Cyrus!

The haunting lyrics, smokey voice and aspirational motto all emerged from the lungs of that lightweight lady! How can somebody who's not even old enough to buy a packet of cigarettes have a voice like Kathleen Turner on twenty a day?

I don't know... It boggles the mind. All I do know is that The Climb, by Miley Cyrus, is actually a pretty cute song. Curses, Disney! Your stank of saccherine sermonizing is polluting everything I hold dear. Now it's country music... What's next? Winnie the Pooh branded beer?

Regardless of my continued scorn for Hannah Montana and all that's twee and hemogonized, I think it's only fair to put Miley's song here for all to see. She might be working for the enemy, but the girl still 'done good' with this one.